Thank you very much, thank you. Please sit down, please sit down. Thank you. I love you all. But you’ll have to forgive me: I’ve lost my voice….in screaming and lamentation this weekend. And I have lost my mind sometime earlier this year, so, I have to read.
Um, thank you, Hollywood Foreign Press. Just to pick up on what Hugh Laurie said, you — and all of us in this room, really, — belong to the most vilified segments in American society right now. Think about it: Hollywood, foreigners, and the press. (laughter and applause)
But, who are we? And what is Hollywood, anyway? It’s just a bunch of people from other places. I was born and raised and educated in the public schools of New Jersey. Viola [Davis] was born in a sharecropper’s cabin in South Carolina, came up in Central Falls, Rhode Island. Sarah Paulson was born in Florida, raised by a single mom in Brooklyn. Sarah Jessica Parker was one of seven or eight kids from Ohio. Amy Adams was born in Vicenza Manito, Italy. And Natalie Portman was born in Jerusalem, where there are birth certificates. And the beautiful Ruth Negga, was born in Addis Ababa, Ethiopia, raised in Lond — no, in Ireland, I do believe; and she’s here, nominated for playing a small town girl from Virginia. Ryan Gosling, like all the nicest people, is Canadian. And Dev Patel was born in Kenya, raised in London, is here for playing an Indian raised in Tazmania. So, Hollywood is crawling with outsiders and foreigners. And if we kick ’em all out, you’ll have nothing left to watch but football and mixed martial arts, which are not the arts! (cheers and applause). (laughs) They gave me three seconds to say this, so…
An actor’s only job is to enter the lives of others who are different from us, and let you feel what that feels like. And there were many, many powerful performances this year that did exactly that—breathtaking, compassionate work. But there was one performance this year that stunned me. It, it sank its hooks in my heart. Not because it was good,—there was nothing good about it. But it was effective and it did its job. It made its intended audience laugh. And show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter, someone he outranked in privilege, power, and the capacity to fight back. It, it kinda broke my heart when I saw it. And I still can’t get it outta my head, because it wasn’t in a movie, it was real life. And this instinct to humiliate, when it’s modeled by someone in the public platform, by someone powerful, it filters down into everybody’s life, ’cause it kinda gives permission for other people to do the same thing. Disrespect invites disrespect, violence incites violence. When the powerful use their position to bully others, we all lose. OK, go up with that thing.
OK. This brings me to the press. We need the principled press to hold power to account, to call them on the carpet for every outrage. (applause and cheers) That’s why, that’s why our founders enshrined the press and its freedoms in our Constitution. So I only ask the famously well-heeled Hollywood Foreign Press, and all of us in our community, to join me in supporting the Committee to Protect Journalists. ‘Cause we’re going to need them going forward and they’ll need us to safeguard the truth. (applause and whistles)
One more thing. Once, when I was standing around on the set one day, whining about something, — ya know, we were gonna work through supper, or, or the long hours, or whatever, — Tommy Lee Jones said to me, “Isn’t it such a privilege, Meryl, just to be an actor?” Yeah, it is. And we have to remind each other of the privilege, and the responsibility, of the act of empathy. We should all be very proud of the work Hollywood honors here tonight. As my, as my friend, the dear departed Princess Leia, said to me once, “Take your broken heart, make it into art.”
Thank you, for everything. (cheers and applause)
~Meryl Steep, acceptance speech, Hollywood Foreign Press Golden Globe Awards ceremony, 2017.